This album is probably the best of the bunch and one of the few classic jazz albums produced in the seventies.
JOE PASS ON A CLEAR DAY SERIES
Understandably, this album won Pass well-deserved international acclaim and a host of disciples and spawned a series of "Virtuoso" recordings. Yet the charms of this album, which feature a classic sense with a modern sensibility, are addictive. Despite his talent, the format wears a little thin after a while this is an album best listened to in small doses. Born Joseph Anthony Passalaqua in New Brunswick, New Jersey in 1929, Joe Pass grew up in a Pennsylvania steel town during the Great Depression. What's most amazing is that on a song like "On Green Dolphin Street", Pass can stray from the melody, weaving in related elements (as Tatum would) yet still having a clear idea of the song's structure and making it all fit. He packs a lot into each song-lightning fast chord changes are interspersed with dizzying scales and arpeggios, all of which are played at a baffling speed. Like Art Tatum, Pass is a delight to listen to, but can be a bit difficult to absorb all at once. One of those landmark recordings that revolutionized the way an instrument was played, it still sounds fresh and brimming with novel concepts of even 25 years after it was recorded. Rainy Days and Mondays Sarahs Tune, Number One On a Clear Day I Remember You. An entire album of the stuff was almost unthinkable, yet Pass, who had singular notions of what could be done with the guitar, mastered it to wide acclaim. guitarist Joe Pass, bassist Ray Brown, and drummer Louis Bellson. The real marvel here is that Pass, forgoing the trio format from previous outings, plays entirely without any accompaniment this was a format where few guitarists had ever dared to venture. Madam Speaker, Madam Vice President (applause) no.
The most recent innovations of the time involved the rock-influenced freakouts of John MacLaughlin and Sonny Sharrock Pass was responsible for returning to calmer waters by playing the same standards musicians had relied on for years in the familiar chord-melody style. And Mitch and Chuck will understand it’s good to be almost home, down the hall. Pass recorded widely in the seventies, which were considered lean years for jazz guitarists. It takes a lot of confidence (or gall) to label yourself a virtuoso luckily, Joe Pass is able to deliver. Therefore, Art Tatum was a true virtuoso, whereas Miles Davis wasn't, he had artistic expression in spades, but his technique on the instrument was limited. A true virtuoso weds rich artistic sensibility with a mastery of the instrument the artist chooses to express it. From Panama City Beach: Port St Joe Inshore Fishing Charters Adventure Tours from 675.99 per group (up to 4) No Experience Required to Discover Scuba in Florida 27 Recommended from 133.
0 kommentar(er)
